WHAT and HOW do we research in the artistic field? Contents and methods
Proceedings of the International Conference of Doctoral Schools “George Enescu” National University of Arts Iași, Romania (November 2-3, 2023)
Scientific board:
Professor Laura Vasiliu, PhD
Professor Carmen Chelaru, PhD
Professor Cristian Nae, PhD
Professor Anca Ciobotaru, PhD
Professor Călin Ciobotari, PhD
Professor Matei Bejenaru, PhD
The International Conference What and How do we research in the artistic field? Contents and methods was organized by the Doctoral Schools within “George Enescu” National University of Arts, Iași, Romania, from 2nd to 3rd November 2023, within the CNFIS-FDI-2023-F-0019 “DOCTART.NET – a network of artistic research laboratories of the doctoral schools within UNAGE Iași”.
MUSIC Section
Nationalistic tendencies and 20th century music – the German case
Valentina SANDU-DEDIU
National University of Music, Bucharest
DOI: 10.35218/icds-2024-0001 | Full article PDF
Emilia Petrescu – The Outstanding Performer of the Baroque Cantata
Loredana IAȚEȘEN
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0002 | Full article PDF
My musical affective interferences with Eminescu’s poem Se bate miezul nopţii (Bell chimes midnight)
Ioan POP
“Gheorghe Dima” National Academy of Music, Cluj-Napoca
DOI: 10.35218/icds-2024-0003 | Full article PDF
The World Music Phenomenon Through the Perspective of Philip V. Bohlman
Maria-Isabela NICA
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0004 | Full article PDF
Myriam Marbé – Avant-garde and Ideological Neutrality
Oana Diana ZAMFIR
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0005 | Full article PDF
German Post-Wagnerian Opera. Richard Strauss
George Ștefan COMAN
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0006 | Full article PDF
The activity of the “Doina” choral chapel during 1963-1975 based on archive materials from the special depository of the Republic of Moldova
Natalia BLÎNDU
Academy of Music, Theater and Fine Arts, Chișinău
DOI: 10.35218/icds-2024-0007 | Full article PDF
Play elements in approaching music education
Georgiana CIOBAN (MARIA)
The National University of Music, Bucharest
DOI: 10.35218/icds-2024-0008 | Full article PDF
Artificial intelligence in music education
Elena MARINOVA
Doctoral School of Humanities and Arts, Oradea University
DOI: 10.35218/icds-2024-0009 | Full article PDF
A Pentadimensional Analysis of the Theme “The Man I Love” by George Gershwin
Andrei TASE
West University of Timișoara
DOI: 10.35218/icds-2024-0010 | Full article PDF
THEATRE Section
The ethical vulnerabilities of doctoral studies
Marian POPESCU
“I. L. Caragiale” National University of Drama and Film, Bucharest
DOI: 10.35218/icds-2024-0011 | Full article PDF
PhD Admission. Ethical ambiguities
Călin CIOBOTARI
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0012 | Full article PDF
Without harming the other person
Octavian JIGHIRGIU
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0013 | Full article PDF
Thinking outside the box
Anca Doina CIOBOTARU
“George Enescu” National University Arts, Iași
DOI: 10.35218/icds-2024-0014 | Full article PDF
Doctoral research in theatre and the requirement to have a PhD diploma for tenure in higher education: development or regression?
Maria Adriana HAUSVATER
Western University of Timișoara
DOI: 10.35218/icds-2024-0015 | Full article PDF
Clowning ethics or about red-nosed morals
Andreea JIGHIRGIU
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0016 | Full article PDF
Ethical perspectives on the representation of sexuality through puppets in theatre performances
Vladimir Bogdan BOCA
“George Enescu” National University Arts, Iași
DOI: 10.35218/icds-2024-0017 | Full article PDF
Automated dummies and supercomputers. The construction of an object, from an imitation of reality to the original work or acquired autonomy
Liviu Cristian IONIȚĂ DOBRE
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0018 | Full article PDF
Post-Pandemic Trauma and the Research as an Intrusion
Teodora MEDELEANU
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0019 | Full article PDF
Emotional aspects in the doctoral supervision relationship. Limitations and permissibility
Ileana OCNEANU
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0020 | Full article PDF
Ethical perspectives of choreographic discourse
Alexandru RADU
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0021 | Full article PDF
Theatre and radio – ethical dilemmas in the doctoral research of common history
Ioana SOREANU
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0022 | Full article PDF
Dance in the realm of ethics
Pamela TĂNASĂ-GACHE
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0023 | Full article PDF
Ethical dilemmas in the choreographic approach. Actors vs dancers
Alice VELICHE
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0024 | Full article PDF
VISUAL ARTS Section
The ontological value of the digital format: the role of video cameras for amateur video production
Andrei PETREA
“I. L. Caragiale” National University of Drama and Film, București
DOI: 10.35218/icds-2024-0025 | Full article PDF
The timeless journey of the Möbius strip: circulation and transposition into different artistic mediums
Ioana ROȘU
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0026 | Full article PDF
Examining the materiality of the photographic medium
Matei BEJENARU
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2024-0027 | Full article PDF
First-Person Filmmaking as Autoethnographic Exploration
Olga LUCOVNICOVA
Katholieke Universiteit Leuven, Belgia
DOI: 10.35218/icds-2024-0028 | Full article PDF