Intersections in artistic research: the model of the other and the culture of mobility
The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania (November 3-5, 2022)

Editors:
Professor Matei Bejenaru, PhD
Professor Laura Vasiliu, PhD
Assoc. Prof. Călin Ciobotari, PhD
Assoc. Prof. Diana-Beatrice Andron, PhD


Artes Publishing House
UNAGE Iasi, 2023

ISMN 979-0-707669-00-6
ISBN 978-606-547-520-5

Scientific board:
Professor Laura Vasiliu, PhD
Professor Carmen Chelaru, PhD
Professor Cristian Nae, PhD
Professor Anca Ciobotaru, PhD
Assoc. Prof. Călin Ciobotari, PhD
Professor Matei Bejenaru, PhD

The International Conference Intersections in artistic research: the model of the Other and the culture of mobility was organized by the Doctoral Schools within IOSUD-UNAGE Iași, Romania, from 3rd to 5th November 2022, within the CNFIS-FDI-2022-0142 project “DOCTART.INT – a platform for international collaboration of the doctoral schools within UNAGE Iași”.

MUSIC Section

The Identity of Musical Works in the Web Era
Alessandro ARBO
Université de Strasbourg, France
DOI: 10.35218/icds-2023-0001 | Full article PDF

Reflection of the Other in the Byzantinologist Gheorghe C. Ionescu’s Lexicographic Pursuits
Elena CHIRCEV
“Gheorghe Dima” National Academy of Music, Cluj-Napoca
DOI: 10.35218/icds-2023-0002 | Full article PDF

Alla Turca, the Origin of the main Percussion Instruments in Symphony Orchestras and the Romanian Principalities
Eduard RUSU
National Romanian Opera House of Iași
DOI: 10.35218/icds-2023-0003 | Full article PDF

The Model of the Other in Shostakovich’s Work
Sebastian VÎRTOSU
“George Enescu” National Universtity of Arts, Iași
DOI: 10.35218/icds-2023-0004 | Full article PDF

Šárka, a Legendary Female Character, in Two Lesser Known Czech Operas. Overtures and Compositional Techniques
Leonard DUMITRIU
“George Enescu” National Universtity of Arts, Iași
DOI: 10.35218/icds-2023-0005 | Full article PDF

The Impact of French Pedagogy on Romanian Piano Art. Disciples of Alfred Cortot
Cristina Eleonora PASCU
“Gheorghe Dima” National Academy of Music, Cluj-Napoca
DOI: 10.35218/icds-2023-0006 | Full article PDF

A Perspective on the Musical Criticism of Iasi from the Interwar Period
Ligia FĂRCĂȘEL
“George Enescu” National Universtity of Arts, Iași
DOI: 10.35218/icds-2023-0007 | Full article PDF

Aurel Stroe – Dominants of Musical Thought (90 years since birth)
Petruța-Maria COROIU (MĂNIUȚ)
Transilvania University of Brașov
DOI: 10.35218/icds-2023-0008 | Full article PDF

Technical and Semantic Aspects in Viorel Munteanu’s Symphony No. 2
Mihaela RUSU
“George Enescu” National University of Arts Iași
DOI: 10.35218/icds-2023-0009 | Full article PDF

Sources of Inspiration in Composer Tudor Chiriac’s Creations. “Miorița” the Poem
Aliona PACIURCA
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0010 | Full article PDF

THEATRE Section

Present-Day Trends in the Research and Creation of Living Arts in the Academia: A North American Model
Liviu DOSPINESCU
Université Laval, Québec, Canada
DOI: 10.35218/icds-2023-0011 | Full article PDF

General Considerations on Performing Poetry in the Current Performing Arts Context
Ionuț TOMUȘ
“Lucian Blaga” University of Sibiu
DOI: 10.35218/icds-2023-0012 | Full article PDF

Five Days at the International Art Biennale in Venice
Octavian JIGHIRGIU
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0013 | Full article PDF

The Conflict with the Other. Premises of the Rebirth of Tragedy
Călin CIOBOTARI
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0014 | Full article PDF

A Diverse Beauty: Amore, by Pippo Delbono
Dumitriana CONDURACHE
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0015 | Full article PDF

The Otherness through Le rêve d’Urmila (Urmila’s Dream), an Interdisciplinary and Intercultural Research Creation Doctoral Project through Natyashastra
Sylvie BELLEAU
Université Laval, Québec, Canada
DOI: 10.35218/icds-2023-0016 | Full article PDF

Festival d’Avignon – The Challenges of a Doctoral Documentation
Andreea DARIE
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0017 | Full article PDF

The Other’s Silence – between Complementarity and Distancing
Alexandra DIACONIȚA
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0018 | Full article PDF

Dear Caroline…
Teodora MEDELEANU
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0019 | Full article PDF

Lack of Documentation on the Phenomenon of Body Shaming in Romania. In Search of a Method…
Alexandru RADU
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0020 | Full article PDF

The Actor, Between the Self from Theatre and the Other from Music
Diana ROMAN
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0021 | Full article PDF

Key Elements of Rhythmic Gymnastics in the Efficient Training of the Professional Dancer
Pamela TĂNASĂ-GACHE
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0022 | Full article PDF

Dancing to Talk about Yourself. The Character is me. Case Study: Pina Bausch
Alice VELICHE
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0023 | Full article PDF

VISUAL ARTS Section

Image and Post-Truth
Cosmin PRELIPCEANU
“I. L. Caragiale” National University of Drama and Film, București
DOI: 10.35218/icds-2023-0024 | Full article PDF

(At) Home and (On) the Road: Contemporary Photography Techniques of Documenting the Migration Phenomenon
Oana NECHIFOR
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2023-0025 | Full article PDF

Reflexive Design and the Consumer’s Expectations
Tiberiu POP
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2023-0026 | Full article PDF