Intersections in artistic research: the model of the other and the culture of mobility
The International Conference of Doctoral Schools „George Enescu” National University of Arts Iaşi, Romania (November 3-5, 2022)
Consiliul științific:
Prof. univ. dr. Laura Vasiliu
Prof. univ. dr. Carmen Chelaru
Prof. univ. dr. Cristian Nae
Prof. univ. dr. Anca Ciobotaru
Conf. univ. dr. Călin Ciobotari
Prof. univ. dr. Matei Bejenaru
Conferința Internațională Intersecții în cercetarea artistică: modelul Celuilalt și cultura mobilității a fost organizată de Școlile Doctorale din cadrul IOSUD-UNAGE Iași, România, în perioada 3-5 noiembrie 2022, în cadrul proiectului CNFIS-FDI-2022-0142 „DOCTART.INT – o platformă de colaborare internațională a școlilor doctorale din cadrul UNAGE Iași”.
Secțiunea Muzică
The Identity of Musical Works in the Web Era
Alessandro ARBO
Université de Strasbourg, France
DOI: 10.35218/icds-2023-0001 | Full article PDF
Reflection of the Other in the Byzantinologist Gheorghe C. Ionescu’s Lexicographic Pursuits
Elena CHIRCEV
“Gheorghe Dima” National Academy of Music, Cluj-Napoca
DOI: 10.35218/icds-2023-0002 | Full article PDF
Alla Turca, the Origin of the main Percussion Instruments in Symphony Orchestras and the Romanian Principalities
Eduard RUSU
National Romanian Opera House of Iași
DOI: 10.35218/icds-2023-0003 | Full article PDF
The Model of the Other in Shostakovich’s Work
Sebastian VÎRTOSU
“George Enescu” National Universtity of Arts, Iași
DOI: 10.35218/icds-2023-0004 | Full article PDF
Šárka, a Legendary Female Character, in Two Lesser Known Czech Operas. Overtures and Compositional Techniques
Leonard DUMITRIU
“George Enescu” National Universtity of Arts, Iași
DOI: 10.35218/icds-2023-0005 | Full article PDF
The Impact of French Pedagogy on Romanian Piano Art. Disciples of Alfred Cortot
Cristina Eleonora PASCU
“Gheorghe Dima” National Academy of Music, Cluj-Napoca
DOI: 10.35218/icds-2023-0006 | Full article PDF
A Perspective on the Musical Criticism of Iasi from the Interwar Period
Ligia FĂRCĂȘEL
“George Enescu” National Universtity of Arts, Iași
DOI: 10.35218/icds-2023-0007 | Full article PDF
Aurel Stroe – Dominants of Musical Thought (90 years since birth)
Petruța-Maria COROIU (MĂNIUȚ)
Transilvania University of Brașov
DOI: 10.35218/icds-2023-0008 | Full article PDF
Technical and Semantic Aspects in Viorel Munteanu’s Symphony No. 2
Mihaela RUSU
“George Enescu” National University of Arts Iași
DOI: 10.35218/icds-2023-0009 | Full article PDF
Sources of Inspiration in Composer Tudor Chiriac’s Creations. “Miorița” the Poem
Aliona PACIURCA
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0010 | Full article PDF
Secțiunea Teatru
Present-Day Trends in the Research and Creation of Living Arts in the Academia: A North American Model
Liviu DOSPINESCU
Université Laval, Québec, Canada
DOI: 10.35218/icds-2023-0011 | Full article PDF
General Considerations on Performing Poetry in the Current Performing Arts Context
Ionuț TOMUȘ
“Lucian Blaga” University of Sibiu
DOI: 10.35218/icds-2023-0012 | Full article PDF
Five Days at the International Art Biennale in Venice
Octavian JIGHIRGIU
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0013 | Full article PDF
The Conflict with the Other. Premises of the Rebirth of Tragedy
Călin CIOBOTARI
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0014 | Full article PDF
A Diverse Beauty: Amore, by Pippo Delbono
Dumitriana CONDURACHE
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0015 | Full article PDF
The Otherness through Le rêve d’Urmila (Urmila’s Dream), an Interdisciplinary and Intercultural Research Creation Doctoral Project through Natyashastra
Sylvie BELLEAU
Université Laval, Québec, Canada
DOI: 10.35218/icds-2023-0016 | Full article PDF
Festival d’Avignon – The Challenges of a Doctoral Documentation
Andreea DARIE
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0017 | Full article PDF
The Other’s Silence – between Complementarity and Distancing
Alexandra DIACONIȚA
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0018 | Full article PDF
Dear Caroline…
Teodora MEDELEANU
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0019 | Full article PDF
Lack of Documentation on the Phenomenon of Body Shaming in Romania. In Search of a Method…
Alexandru RADU
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0020 | Full article PDF
The Actor, Between the Self from Theatre and the Other from Music
Diana ROMAN
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0021 | Full article PDF
Key Elements of Rhythmic Gymnastics in the Efficient Training of the Professional Dancer
Pamela TĂNASĂ-GACHE
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0022 | Full article PDF
Dancing to Talk about Yourself. The Character is me. Case Study: Pina Bausch
Alice VELICHE
“George Enescu” National University of the Arts, Iași
DOI: 10.35218/icds-2023-0023 | Full article PDF
Secțiunea Arte Vizuale
Image and Post-Truth
Cosmin PRELIPCEANU
“I. L. Caragiale” National University of Drama and Film, București
DOI: 10.35218/icds-2023-0024 | Full article PDF
(At) Home and (On) the Road: Contemporary Photography Techniques of Documenting the Migration Phenomenon
Oana NECHIFOR
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2023-0025 | Full article PDF
Reflexive Design and the Consumer’s Expectations
Tiberiu POP
“George Enescu” National University of Arts, Iași
DOI: 10.35218/icds-2023-0026 | Full article PDF